Bond orders a Mount Gay rum and soda at the bar before asking if he can join the game. After arriving at the One and Only Ocean Club (now known simply as The Ocean Club) Bond heads for the bar where Alex Dimitrios is playing poker. Most of the cast is miscast, but performs energetically despite that Peter Lorre performs very weakly, but he happens to be perfectly cast - he is the definitive Le Chiffre! That surprising discovery is reason enough to find this show and give it a view, at least for Bond aficionados.The first drink of the Daniel Craig era is served around half an hour into Casino Royale. The major plus factors here are the performances. The rest bulls through or stumbles along as one might expect from an American genre thriller of the time. There's none of that here - the romance is played straight, and the only sophistication comes in the gambling scene. Never pointed enough to threaten middle-class readers, but enough to raise their anxiety level to the point of continued interest in the James Bond series. For Fleming, this was a means of preserving the "hard-boiled" detective tradition while at the same time raising uncomfortable questions about what it meant to live comfortably middle-class in cold-war England. So too Fleming's subversive sense of what at last became known as the "anti-hero" - a man as ruthless as his enemies, able to seduce and destroy women with a glance, then quietly order breakfast in a luxury hotel as if nothing happened. His ability to shock audiences was well known, but his capacity for sophisticated wit and subtle irony were not easy for most Americans to grasp at the time. But despite his popularity, Hitchcock himself remained an anomaly in Hollywood throughout the '50s. And really, prime Hitchcock is the director Fleming would have had in mind while writing this book.
And that the producers felt the need to go this route shows that they themselves really had little understanding of where Fleming was coming from - which was really Somerset Maugham's "Ashenden, or the British Agent," filmed in the early '30s by Alfred Hitchcock. Third, the producers of the show were trying to make the British Ian Fleming's break-out novel accessible to American audiences only familiar with American espionage B-movies, a '50s genre that has not gotten preserved, so most people now will not be familiar with the drab back-alley feel of this show drawn from that genre.
Secondly, the surviving recording is incomplete and not very good. First, this is a recording of a live performance - when something went wrong, they were stuck with it and since this is cheaply made, they had little rehearsal time, so a quite a number of things go wrong.
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